Established 1980 by David Robertson

I make comics. I read comics. I write about comics. 

My own comics work has appeared in Adventures in Comics, Artificial Womb, The Awesome Comic, BAM!, Belt Sander, A Bit of Undigested Potato, Copy This!, Crap Your Pants, Dead Singers Society, Dirty Rotten Comics, Eric, Funtime, Guardian #opencomics, Jack Sprat, Reworking Walter Scott, Shiot Crock, Small Pets, Sneaky Business, Star Jaws, Time & Space, Tin Roof Collective Selected Works, Treehouse, The UK Web and Mini Comix Anthology and at the 40075km website. 

I’ve written for The Comics Grid, The Comics Journal, Down the Tubes, Graphixia, The International Journal of Comic Art, Nude, Reference Reviews, Spaceship Away, Starscape and Stripped.

I'm doing a webcomic called 'Bell Time' for Redbirdbird Review. Have a look here:

I'm also doing a webcomic called 'Dundee Shmundee!' for the Dundee Comics Creative Space website. Have a look at that here:

There is a behind the scenes process blog for a comic I am doing as part of the Comics MLitt course. Have a look here.

Through Fred Egg Comics, I self-publish my comics Berserkotron, Dump and Zero Sum Bubblegum.

Latest news is posted at my BLOG:



And on TWITTER: @fredeggcomics

Buy comics at the SHOP:

Learn more about Fred Egg Comics in this interview and this interview.

Have a listen to comics podcasts I appear on:

and here:

What they’ve been saying about Fred Egg Comics:


…a pretty damned compelling comic. Read it and enjoy, as there’s plenty to like in here.

Kevin Bramer, Optical Sloth

The stories are dry, funny and, what makes it really compelling, is how recognisable the characters are, something that's often missing from comic books.  David's energy and world view shines through each story helping to make this a refreshing read.

Eileen Budd, Redbird Review

What's clear is that this is a long game for him, as he's interested in experimenting, getting better in public and simply getting work out there. ‘Dump’ is still his most promising work, as it matches that flatness of tone with strange goings-on to create a deadpan atmosphere.

Rob Clough, High-Low

Many of the strips depict what are little more than incidents, thoughts or ideas put down on paper. Many of these are poignant or moving. All were, at the very least, interesting. A whole backstory can be inferred from a very few words and some simple images. David understands story-telling and communication. He presents you with incidents and the story or idea is contained within.

I really enjoyed them.

Peter Duncan, Splank!

This was an enjoyable and fun read. If asked, yes, I'd recommend this. All together a great little book.

Terry Hooper-Scharf, Comic Bits Online

Robertson’s unique way of thinking makes each story interesting. There’s something of Harvey Pekar in the straightforward and commonplace nature of many of the events, and the art is simple yet effective which perfectly matches the tone.

Milo McLaughlin, Gaseous Brain

We get in these pages something that is simultaneously extravagantly ambitious and yet utterly down-to-earth. Jaunty and engaging in tone, it leaves the reader feeling fully invested in Robertson’s love of the form – an almost infectious enthusiasm.

Andy Oliver, Broken Frontier

... a collection of the different comics that the author's composed, plus some collaborations. These comics are black and white and they're straightforward and clear in terms of both image and flow.

Anne Persand, Xerography Debt

Robertson's key strengths: the juxtaposition between the often mundane nature of daily life and the absurdities that can be found within.

Robertson's art is not flashy but is simple and effective, a good fit for the everyday situations depicted in his work.

Gary Smith, The Big Glasgow Comic Page

If I saw this in a store or at a con I would not have any clear idea what the thing was by looking at the cover. Some people might think ‘what the heck is that?’ and pick it up out of curiosity. Others might think ‘what the heck is that?’ and pass it by. I hope they pick it up. It is an enjoyable read.

Shannon Smith, Poopsheet Foundation

I liked David Robertson's story about Crohn's Disease, with the ironic subtext that many Crohn's suffer no longer crap their pants because they must use a colostomy bag. 

Tom Spurgeon, Comics Reporter

Zero Sum Bubblegum, Dump and Berserkotron covers by David Robertson.

Treehouse #11 cover by David Peter Kerr.