FRED EGG COMICS

Established 1980 by David Robertson

I make comics. I read comics. I write about comics. 


My own comics work has appeared in Adventures in Comics, Artificial Womb, The Awesome Comic, BAM!, Belt Sander, A Bit of Undigested Potato, Copy This!, Crap Your Pants, Dead Singers Society, Dirty Rotten Comics, Eric, Funtime, Guardian #opencomics, Jack Sprat, Shiot Crock, Small Pets, Star Jaws, Tin Roof Collective Selected Works, Treehouse, The UK Web and Mini Comix Anthology and at the 40075km website. 


I’ve written for The Comics Grid, The Comics Journal, Down the Tubes, Graphixia, The International Journal of Comic Art, Nude, Reference Reviews, Spaceship Away, Starscape and Stripped.


I'm doing a serialised comic called 'Bell Time' for Redbirdbird Review. Have a look here: http://redbirdreview.com/bell-time-web-comic/


Through Fred Egg Comics, I self-publish my comics Berserkotron, Dump and Zero Sum Bubblegum.


Latest news is posted at my BLOG: http://fredeggcomics.blogspot.co.uk/

I'm on FACEBOOK:https://www.facebook.com/david.robertson.18488169

TUMBLR: http://fredeggcomics.tumblr.com/

And on TWITTER: @fredeggcomics

Buy comics at the SHOP: http://fredeggcomics.bigcartel.com/

Learn more about Fred Egg Comics in this interview and this interview.

Have a listen to comics podcasts I appear on: https://soundcloud.com/user-112707267


What they’ve been saying about Fred Egg Comics:

 

…a pretty damned compelling comic. Read it and enjoy, as there’s plenty to like in here.

Kevin Bramer, Optical Sloth


The stories are dry, funny and, what makes it really compelling, is how recognisable the characters are, something that's often missing from comic books.  David's energy and world view shines through each story helping to make this a refreshing read.

Eileen Budd, Redbird Review


What's clear is that this is a long game for him, as he's interested in experimenting, getting better in public and simply getting work out there. ‘Dump’ is still his most promising work, as it matches that flatness of tone with strange goings-on to create a deadpan atmosphere.

Rob Clough, High-Low


The quality of printing is great and this was an enjoyable and fun read. If asked, yes, I'd recommend this. All together a great little book.

Terry Hooper-Scharf, Comic Bits Online


Robertson’s unique way of thinking makes each story interesting. There’s something of Harvey Pekar in the straightforward and commonplace nature of many of the events, and the art is simple yet effective which perfectly matches the tone.

Milo McLaughlin, Gaseous Brain


We get in these pages something that is simultaneously extravagantly ambitious and yet utterly down-to-earth. Jaunty and engaging in tone, it leaves the reader feeling fully invested in Robertson’s love of the form – an almost infectious enthusiasm.

Andy Oliver, Broken Frontier


... a collection of the different comics that the author's composed, plus some collaborations. These comics are black and white and they're straightforward and clear in terms of both image and flow.

Anne Persand, Xerography Debt


Robertson's key strengths: the juxtaposition between the often mundane nature of daily life and the absurdities that can be found within.

Robertson's art is not flashy but is simple and effective, a good fit for the everyday situations depicted in his work.

Gary Smith, The Big Glasgow Comic Page


If I saw this in a store or at a con I would not have any clear idea what the thing was by looking at the cover. Some people might think ‘what the heck is that?’ and pick it up out of curiosity. Others might think ‘what the heck is that?’ and pass it by. I hope they pick it up. It is an enjoyable read.

Shannon Smith, Poopsheet Foundation


I liked David Robertson's story about Crohn's Disease, with the ironic subtext that many Crohn's suffer no longer crap their pants because they must use a colostomy bag. 

Tom Spurgeon, Comics Reporter


Zero Sum Bubblegum and Dump covers by David Robertson. Artificial Womb #13 cover by Alfie Pound. Dirty Rotten Comics #8 cover by Gary Clap..